On the Heavens 2.0 宇宙的描述 2.0
2018, 7 Mallory Street, Wanchai, Hong Kong
Courtesy: 藝們 • altermodernists
'In the beginning God created mankind in their image, and then, man created God in his image.'
On the Heavens 2.0 is an artistic exploration that delves into the creation of future mythologies, envisioning a profound narrative where space colonists, adrift in the infinite cosmos, revere the pioneering astronauts of Earth as divine progenitors of a "New World." This work contemplates the evolution of these astronauts from mere mortals to supreme beings, embodying a fusion of human and trans-human characteristics, all deeply rooted in the cultural heritage of Earth.
This work lies the philosophical principle of reductionism, employed to deconstruct and examine the process by which space colonists fashion these supreme beings in their own image, elevating them to divine status through everyday acts of veneration. This exploration reveals how religious beliefs and mythologies are not static but dynamically evolve, transforming into mechanisms of worship that reflect and reinforce the cosmic narrative of human history.
In this connection, the pioneering astronauts become more than historical figures; they transcend their earthly origins to become mythic entities that symbolize the intersection of human ambition, technological advancement, and cultural legacy. The colonists' acts of worship, though mundane, are imbued with profound significance, illustrating an intricate interplay between the creation of myths and the sacralization of human endeavors.
On the Heavens 2.0 invites viewers to ponder the future of human spirituality and the narratives we construct to make sense of our place in the universe. It suggests a future where the boundaries between humanity and divinity blur, where technological and cultural evolution gives rise to new forms of worship and myth-making. This work challenges us to consider how our current cultures and achievements might be remembered and revered by future generations, and how those narratives will shape their understanding of identity and purpose.
In the future, the supreme beings crafted by the space colonists are not static idols but dynamic symbols of human potential and resilience. They embody the collective memory and aspirations of a people who, despite being far removed from their ancestral home, continue to draw inspiration from the cultural and historical legacy of Earth. This ongoing dialogue between past and future, between human and trans-human, forms the core of On the Heavens 2.0.
The work also engages with the concept of trans-humanism, exploring how advancements in technology and culture might lead to new forms of existence and consciousness. The supreme beings represent a convergence of human traits and trans-human structures, suggesting a future where humanity transcends its biological limitations to achieve a higher state of being. This vision is not merely speculative but serves as a philosophical meditation on the potential trajectories of human evolution and the enduring quest for transcendence.
On the Heavens 2.0 is a contemplative journey into the future of myth and meaning. It invites viewers to reflect on the narratives we create to understand our past, navigate our present, and envision our future. Through the allegory of space colonists and their divine progenitors, the work explores the timeless human desire to connect with something greater than ourselves, to find purpose and significance in a vast and ever-expanding universe.